Hartlepool’s NEEB have unveiled their long-awaited debut full-length ‘Take To The Sky’, an album that firmly establishes them as innovators in the UK jazz-soul landscape. Following a widely-praised run of singles these last few years, this eight-track collection melds lush grooves, ambient textures, and intimate lyricism into a cohesive journey that feels both nocturnal and cinematic.
From the opening moments of its tender title-track, NEEB lay down a template of warm, enveloping soundscapes. Jasmine Weatherill’s vocals float effortlessly atop Mark Hand’s Rhodes and synth layers, while Tony Waite’s production and Mark Lloyd’s intricate jazz-informed drumming provide a foundation that is as tight as it is elastic. The interplay between acoustic instrumentation and electronic textures gives the record a late-night sophistication reminiscent of classic jazz lounges, yet it remains thoroughly contemporary in its electronic sensibilities.
Tracks like ‘Cave of Hands’ demonstrates the band’s command over space and atmosphere, with hypnotic basslines, layered percussion, and subtle ebow guitar lines courtesy of Peter Casson weaving intricate tapestries of sound. Guest contributions from Martin Ditcham on percussion and Andy Wain on synths elevate the arrangements further, adding depth and nuance without ever overwhelming the central ensemble.
While ‘Wasted’ and ‘Visions’ showcase their ability to fuse groove with introspection, balancing rhythmic propulsion with emotive storytelling. The closer ‘Brighter Day’ leaves us suspended in the band’s signature electro-acoustic dreamworld, a satisfying conclusion that hints at both restraint and release.
‘Take To The Sky’ is a record built on collaboration, experimentation, and decades of shared musical experience. For fans of jazz-inflected soul, ambient funk, and sophisticated electronic experimentation, this is a debut that announces NEEB as a collective capable of transporting us into a world where groove, atmosphere, and emotion seamlessly converge.